"In March 2012 Yanina Shevchenko travelled from one end of Russia to the other and back again on the trans-siberian railway in a bid to discover for herself the true nature of her homeland.
In the space of two weeks she spent a total of twelve days onboard, mingling with her fellow travellers and watching the Russian landscape unfold itself from her carriage window.
Born in Volgograd of Russian-Belorussian descent, Yanina was motivated to unearth what 'Russianess' meant and whether it existed as a single entity from one end of the motherland to the other. What she encountered and discovered about Russia, and thus about herself, is documented in her book of writings and photography 'Crossing Over'."
" 'The Mandalas are meant to be meditative pieces - glimpses into a space of pure color, beyond our focus, beyond our ken. Their essential purpose is to create a sense of transcendence, of radiance, of pure joy', Bill Armstrong writes about this series. 'Through abstraction, simplification and blur, I hope to create a context for the exploration of broad spiritual themes that, rather than relying on a codified system, remains open and invites the viewer’s personal interpretation'.
Like other portfolios in his series Infinity, Armstrong’s mandalas are made from collages he creates and then photographs with the camera’s focusing ring set on infinity. He then creates chromogenic prints from the resultant negatives.
By taking an out-of-focus photograph, the artist concentrates not on detailed form and subject but on the rich, saturated colors that shift and pulsate in relation to one another, inviting an inquiry into the interconnectedness of all things.
"The spectacular series by Japanese photographer Hiroshi Sugimoto (*1948 in Tokyo) are characterized by matchless clarity and presence.
His works are always an absolute embodiment of his chosen visual motif, reduced to its essence.
Our exquisite monograph is the first to feature works selected from all of the series produced to date - including, of course, his most famous: Sugimoto's celebrated portraits of wax figures seem to face up to their living audiences; his 'Seascapes' show us nothing less than a person's first conscious view of the ocean; the extremely long exposures of 'Theaters' elevate the white, luminescent cinema screen, transforming it into a magical image of an altar; and the fascinating 'Dioramas' - photographs of scientific display cases - allow us to travel with the artist far into the past to observe extinct animal species or the daily life of early man."